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Articles and Reviews



          Hugh O'Donnell working with paper pulp on the
     'Weapons of Desire, Bedford' series, Tyler Graphics
          Workshop, Bedford Village, New York, 1983. 
                       Photographer: Lindsay Green
1973 Richard Walker "Young Painters," Arts Review, Vol. XXV, September 22, p. 630
1975 Piero de Monzi, "Interior Painting in Installation," Harpers & Queen, July, p. 74
1976 Amaury St. Giles, Mainichi Shimbun, Tokyo, February
Marina Vaizey, "Artists Market," Arts Review, vol. XXVII, September 17, p. 378
1978 William Packer, "Summer Mixtures," Financial Times, August 8, p. 11
John McEwen, "John Moore's Exhibition Review," The Spectator, December 8
1979 Moira Kelly, "Hugh O'Donnell," Artscribe, pp. 38-41
1980 "Petroart", Saturday Review, January 5, p. 38
Hilton Kramer, "Art: British News at the Guggenheim," New York Times, Friday, January 25
John Ashbury, "Puttin' On The Brits," New York Magazine, vol. 13, February 4, p. 50
Robert Hughes, "From Sticks To Cenotaphs," Time Magazine, vol. 15, no. 6, February 11, p.65
Diane Waldman, "Hugh O'Donnell," British Art Now Catalogue, pp. 101-102
Theodore Wolf, "British Art Now," Christian Science Monitor, February
Flavio Caroli, "Nuova Immagine," catalogue, Monza-Palazzo Reale, Milan, Italy, April
Dale Harris, "The Art That Caught The Lady's Eye," The Guardian
Dore Ashton, "British Art Now," Arts Canada, May, p. 4
1983 Lisa Dennison, "Hugh O'Donnell," Arts Magazine, February
Petra Paine, "Hugh O'Donnell, Marlborough," Art World, February, vol. 7, no. 4, p. 5
Dale Harris, "The Nations Arts and Crafts," The Guardian, June 1, p. 11
1984 Lisa M. Messenger, "Notable Acquisitions 1982-83," Metropolitan Museum, New York
Mary Rose Beaumont, "Hugh O'Donnell, Marlborough Graphics," Arts Review, vol. 47, March, pp. 32-35 Marlborough Graphics, Arts Review, March, p. 100
Leonard Lee, "Hugh O'Donnell," Artscribe, vol. 47, pp. 32-35
Hugh O'Donnell, "Ros Conway," Statement, catalogue, Victorian Albert Museum, London, May, p. 4
Frank Gettings, "Drawings since 1974," catalogue, Hirshorn Museum, Washington D.C.
1985 Susan Bridson, "Abstract Painting Redefined," Village Times, December
Rhonda Cooper, "S.U.S.B. Fine Arts Center holds exhibition," Suffolk Life, December 4
Helen A. Harrison, "21 Approaches to Abstract Art," The New York Times, December 22
Karin Lipson, "Big Abstracts From a Varied Lot," Newsday, December 27
1987 Carter Ratclif, "The Phillips Industries Collection," catalogue
John Russell, "Hugh O'Donnell, Marlborough," The New York Times, February 20, c. 26
Diane Waldman, "Emerging Artists 1978-1986 from the Exxon Series," catalogue, Guggenheim Museum, September
1988 Donald Kuspit, "Fables and Fantasy," catalogue, Duke Museum of Art, Duke University, Durham, North Carolina, April
Michael Bonesteel, "Painting 'dem bones," Highland Paper, November 17
1989 Dore Ashton, "Question of Drawing," catalogue, South Campus Art Gallery, Miami Dade Community College, Miami
Edward Lucie-Smith, "Stateside Patrons of the Brit Pack," The Independent, April 8, p. 44
Dore Ashton, "Studio Visit: A Painter's Odyssey," Contemporanea, vol. II, no. 8, November, pp. 72-75
1990 Judith Higgins, "A Very British View," The Sunday Times Magazine, London, February 11, pp. 44-50
Roy Oxlade, "British Artists in New York," Modern Painters, vol. 3, no. 3, September, pp. 72-75
1990- REVIEW: Hugh O'Donnell: Marlborough, NEXT magazine, Italy, Winter Issue 20, Vol. VII, p. 80
1991 Dore Ashton, "Back to Sentience," catalogue, Marlborough Gallery, New York, January, pp. 2-5
Eleanor Heartney, Reviews New York: "Hugh O'Donnell, Marlborough," ArtNews, vol. 90, no. 4, April, p. 145
Hugh O'Donnell, "Art and the Green Mission - A Personal View," The Green Contemporary Art Sale Catalogue, Phillips Fine Art, April 25, pp. 5-6
Richard Kalina, Reviews New York: "Hugh O'Donnell at Marlborough," Art in America, May, pp. 168-169
Patrick Pacheco, The New Faith in Painting: "Hugh O'Donnell," Art & Antiques: The New Faith in Painting - A Special Issue, May, pp. 66-69
1992 Pat Gilmour, "Hugh O'Donnell," Innovation in Collaborative Printmaking: Ken Tyler 1963-1992, July, p.124
Nancy Grimes, "Hugh O'Donnell: Denise Cad ," ArtNews, October, Vol. 91, no.8, pp.126, 128
David Masello, "The British Invasion," Avenue, November, Vol. 17, no. 3, pp. 43-46
1993 Jill Snyder, "Introduction," First Thoughts Catalogue, March, pp. 4-5
Kathi Norklun, "Drawing Marathon Bard College," Woodstock Times, October 21, p.15.
1994 Francis Chamberlain, "Artists Revive a Landmark Factory Building in Bantam," The New York Times, January 30, CT section, p.17
Pamela Hammond, "Hugh O'Donnell: Jan Abrams," ArtNews, October
Cate McQuaid, "The Computer in the Studio," The Boston Phoenix, November 18
Tracey O'Shaughnessy, "Artist Paints With Passion, Power," The Sunday Republican, December 18, section G 'Accent,' pp. 1G & 6G
1995 Adrienne Redd, "Forms From Nature Echo in British Artist's Work," The Morning Call, February 11, A57-58
Marilyn Fox, "The Energy of Movement," The Reading Eagle, February 26, p. F3
Nathan Bard, "Freedman Gallery Hosts O'Donnell Exhibition," The Albrightian, February 17
Barbara A. MacAdam, "Works Selected by Dore Ashton," ArtNews, March, p. 132
"Transitions", National News, ArtNews, Summer Issue, p. 54
Maxine Sheets-Johnstone, "Reflections on Hugh O'Donnell's Body Echo Project," Art Museum of The University of Memphis, September
Vanessa E. Jones, "Exhibit Room Swimming with Body Echo," Commercial Appeal, September 10, Section G, p. 2
Fred Burton, "Monumental Body Echo Engulfs the Viewer," Commercial Appeal, September 18, Section C, p. 3
1996 Eileen Fritsch, "Virtual Printmaking," The Big Picture: The Art & Science of Large Format Digital Imaging, July, p. 34
David Van Biema, "Genesis Reconsidered," Time Magazine, October 28, p. 72
Tracey O'Shaughnessy, "In the beginning...," The Sunday Republican, November 10, section H 'Panorama,' pp. 1H & 6H
1997 Diana Stuart Jones, "A County Painter's Journey," The Litchfield County Times, January 3, section 'LCT,' p.15
1998 Nicole Long, "Exhibition of Poetic Illumination: Photonics plays Medici to B.U. Artists," BU Bridge, November 30, back page
2002 David Hall, "It's Academic," The Memphis Flyer, July 18-24, p. 36
Peggy Burch, "Light in August," The Commercial Appeal, August 25, pp. F1, F2
Clare Henry, "Clare Henry in Coversation with Hugh O'Donnell," Catalogue, Boston University's 808 Gallery, November, pp. 12-14
Dore Ashton, "Hugh O'Donnell," Catalogue, Boston University's 808 Gallery, November, pp. 6-10
2003 Joanne Silver, "Feeling Natural; Hugh O'Donnell Dives into Nature's Swirl of Activity," Boston Herald, January 3, section 'Visual Arts,' Page S.05
Brian Fitzgerald, "In Search of Essence: The art of Hugh O'Donnell," B.U. Bridge, January 10, section 'Arts,' p.8
Cate McQuaid, "A Decade...Worthwhile Work," The Boston Globe, January 16, section 'Living Arts,' p.D8
Meredith Fife Day, "Hugh O'Donnell: Paintings and Drawings 1992-2002 Selections from the Green Age Series and The Body Echo Project," Art New England, April, p.29
2004 Tate Publishing, Print Matters: The Kenneth E. Tyler Gift, pp. 76-77
Al Hurwitz, "Hugh O'Donnell: Growing Things," Body Echo Book, 2004, pp.80-84
2005 Maxine Sheets-Johnstone, "Reflections on Hugh O'Donnell's Body Echo Project," Body Echo Book, 2005, pp. 10-15


"Artist to Talk About Book At the Gunn," The Litchfield County Times, January 13, p. 16
Jaime Ferris, "Body Echo," Weekend Life, February 3, p. 2. This article also appeared in Housatonic Living, the arts and leisure section of five Housatonic papers, including The Litchfield Enquirer, The New Milford Times, The Kent Good Times Dispatch, The Brookfield Journal and The Bethel Beacon, February 3, pp. 1-2
Ann Landi, "Hugh O'Donnell," Catalogue, Morrison Gallery, June, pp. 3-5                                                                                                    
                                                           Nancy Barnes, "For the First Tracey O'Shaughnessy, "Nature Unleashed, Sunday Republican (Arts & Entertainment), August 19, Front Page Section H & p. 3H                                                                                                                                                                                                                                                                                                                      


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